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| 22nd September 2017
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Mrs. Doubtfire rated 12 for cunning linguistics See article from bbfc.co.uk |
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| 21st
September 2017
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American Assassin and mother! are both 18-certificate films that landed in UK cinemas the same week. This is not common at all... See
article from denofgeek.com |
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| 30th August 2017
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To Kill a Mocking Bird, Wild Bill See article from bbfc.co.uk |
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BBFC category cuts required for a 15 rated cinema release
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| 21st August 2017
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Property of the State is a 2016 UK biography by Kit Ryan. Starring Elaine Cassidy, Aisling Loftus and Patrick Gibson.
UK: Passed 15 for strong language, violence, sexual violence, threat, suicide references after 34s
of BBFC category cuts for:
The BBFC commented:
- Distributor chose to remove bloody detail from a suicide scene in order to achieve a 15. An 18 uncut was available.
Summary Notes Based on the true story that gripped Ireland in the 1990's, Property of The State tells of a disturbed young man by the name of Brendan O'Donnell. Seen through the eyes of his sister Ann Marie, piece
by piece she threads together the events that ultimately lead to the harrowing murders of a young mother, her child and a local priest in the forest of East Clare, Ireland. Ann Marie lived through it all. As the loving sister of a loving brother, she
became the sister of a murderer and the sister of a man described as the most evil man in Ireland. She had not committed a crime, yet many saw her guilty by association.
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| 19th August 2017
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Why some episodes are rated PG whilst others are rated 12 See article from bbfc.co.uk |
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BBFC suggest cuts for a U rating lest the little sentiments get all offended
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| 11th August 2017
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The Emoji Movie is a 2017 USA children's cartoon comedy by Tony Leondis. Starring TJ Miller, Anna Faris and Sofía Vergara.
UK: 2D and 3D versions were passed U for mild rude humour, comic threat, very mild bad language
after BBFC advised pre-cuts for:
The BBFC commented:
- This film was originally seen for advice, at which stage the company was advised it was likely to be classified PG but that their preferred U could be achieved by removing some mild bad language. When the film was submitted for
formal classification, the mild bad language in question had been removed and the film was therefore classified U.
Summary Notes The Emoji Movie unlocks the never-before-seen secret world inside your smartphone. Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to
be selected by the phone's user. In this world, each emoji has only one facial expression - except for Gene, an exuberant emoji who was born without a filter and is bursting with multiple expressions. Determined to become "normal" like the
other emojis, Gene enlists the help of his handy best friend Hi-5 and the notorious code breaker emoji Jailbreak. Together, they embark on an epic "app-venture" through the apps on the phone, each its own wild and fun world, to find the Code
that will fix Gene. But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it's deleted forever.
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Previous BBFC cuts waived for 2017 home video
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| 10th August 2017
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The Cable Guy is a 1996 USA comedy thriller by Ben Stiller. Starring Jim Carrey, Matthew Broderick and Leslie Mann.
An upcoming
video release has just been passed 12 uncut for moderate sex references, violence with previous BBFC cuts waived. UK Censorship History BBFC category cuts were required for a 12 rated 1996 cinema release and the
subsequent VHS releases. The BBFC cuts were waived for 12 rated 2017 home video. The film is uncut and PG-13 rated in the US. From IMDb. Previously a single 4 sec cut was made to this black comedy, in order to secure a required 12 cert.
- The cut occurs towards the end, when Jim Carrey and Matthew Broderick, are fighting on top of the TV satellite. A couple of shots of Carrey headbutting Broderick and an ear clap have been removed.
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| 10th August 2017
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BBFC's latest from their archive discusses 1937 cuts See article from bbfc.co.uk |
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| 5th August 2017
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The BBFC get all coy about describing the classification issues wih the Battle of Bastards See article from bbfc.co.uk |
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BBFC outline the most whinged about decisions of the year
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| 20th July 2017
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| Thanks to Andy See article [pdf] from bbfc.co.uk
| Complaints to the BBFC have been outlined in the BBFC Annual Report covering 2016:
The film Deadpool generated the largest amount of public feedback in2016, with 51 complaints. Some viewers were concerned about the level of violence in the film. The BBFC responded that the violence is
strong and frequently bloody, this often occurs during fast-paced action sequences with little focus on detail. There is also a comic tone to the violence, and the film's fantastical setting further distances it from reality. The
BBFC also received complaints about sex references and strong language in Deadpool. The BBFC responded that though strong sex references do occur throughout the film, most of these are in the form of comic verbal quips or innuendo. Deadpool contains
frequent use of strong language ('fuck', 'motherfucker'). However, there is no upper limit on the number of uses of strong language at 15.The sex references and language are therefore acceptable at the classification.
The BBFC received 30 complaints about Suicide Squad . Most of the feedback was from children under the age of fifteen, or their parents, who had hoped that the film would achieve
a lower classification. The sustained threat and moderate violence in Suicide Squad were too strong to warrant a 12A.
The BBFC received 20 complaints regarding Miss Peregrine's Home for Peculiar Children.
Some members of the public believed the film to be too scary for a 12A classification. Te BBFC responded that scenes of horror in Miss Peregrine's Home for Peculiar Children involve some monster characters known as Hollows
which feast on eyeballs. These scenes are infrequent and the fantasy setting of the film as a whole reduces the intensity of these moments.
Nineteen members of the public wrote to the BBFC regarding the level of
violence in Jason Bourne , classified 12A. Some complaints focussed on the term moderate violence and argued that this did not reflect the level of detail depicted. The BBFC responded that although there are
some heavy blows, little is shown in terms of injury detail, with the focus instead placed on action.
Sausage Party attracted 19 complaints.
Some of the feedback concerned the film's sex references. A scene in Sausage Party shows food products taking part in an orgy, during which various sexual activities are depicted, but in an unrealistic manner. Given the animated nature of the film
and the comic context, this scene is acceptable at 15. Some members of the public complained about the film's three uses of very strong language ('cunt'). The comic and non aggressive delivery of the very strong language in
Sausage Party means that it is acceptable at 15. Other complaints about Sausage Party focussed on drug use. Drug references in the film are either unrealistic (for example, food products smoking joints) or involve non-existent
drugs (for example, bath salts). As such, they are permissible at 15, where drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
Eighteen members of the public wrote to the BBFC
about the violence in 10 Cloverfield Lane (12A). There is a scene where a character is shot; however, this takes place off screen, and no impact or detail is shown. Another scene shows the antagonist being
injured by a barrel of acid, his face visibly burnt. However, there is no significant focus on the injury detail. There are several scenes of moderate threat in the film which create a dark tone that the BBFC recognised as being at the upper end of the
12A level. At 12A,moderate physical and psychological threat is permitted as long as horror sequences are not too frequent or sustained, and the overall tone is not disturbing.
The BBFC received ten complaints about
Batman v Superman: Dawn of Justice regarding threat, violence and the dark tone of the film. Moments of threat include characters being held at gunpoint, and some nightmarish dream sequences. The BBFC responded
that the violence and tone sit within a known fantasy context consistent with both BBFC Classification Guidelines and past instalments of the Batman series at the 12A classification. There is limited detail of injury in the film and, in the few moments
where injury is seen, there is no emphasis on either injuries or blood.
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BBFC publishes its Annual Report covering 2016
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| 18th July 2017
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| See press release from bbfc.co.uk See
BBFC Annual Report 2016 [pdf] from bbfc.co.uk |
In 2016 the BBFC age rated 1,075 films for cinema release, the most since 1957, proving that Britain continues to be a nation of film enthusiasts. In a year where almost twice as many films were released in cinemas compared to 2009, more films were
rated 15 (401) than any other age rating. Every film age rated by the BBFC comes with detailed BBFCinsight information to help people make informed viewing choices for themselves and their family. Away from the cinema the
popularity of digital content continued to rise. In line with this, the BBFC charted an 85% increase in the number of minutes of digital content submitted to it compared to 2015, with Netflix sending more titles to the BBFC than any other customer. In
2016 the BBFC also age rated a virtual reality (VR) film for the first time as ABE VR, a short horror VR film, was rated 15 for bloody violence and threat. David Austin, BBFC Chief Executive, said:
The BBFC's key aim is to help families make viewing decisions that work for them at the cinema and at home, where an increasing amount of content is available online, as well as on DVD and Blu-ray. We were also named by Government as,
subject to designation, the preferred regulator for the age verification of pornographic content online under the Digital Economy Act, a further endorsement of our expertise as a regulator that has the ability to help protect children from unsuitable
content online. The BBFC will continue to adapt to innovations in technology and shape its Classification Guidelines in line with the attitudes of people living across the UK, including parents with young children, regular film viewers and teenagers.
In addition to providing the latest age rating information on its website and free app, the BBFC continues to publish resources for students, including a regular podcast. In 2016 the BBFC's education team also held 151
teaching sessions for over 9,000 people, talking to them about the history of the BBFC, what the age ratings mean, and how they can check what the key issues are in a film, DVD/Blu-ray or VOD release, before they watch it.
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