|
|
|
|
| 22nd June 2016
|
|
|
MPAA boss argues against a Single Digital Market for the EU claiming that a series of local monopolies is somehow good for consumers See
article from screendaily.com |
|
Copyright trolls slammed in the House of Lords
|
|
|
| 17th June 2016
|
|
| See article from torrentfreak.com See
The Intellectual Property (Unjustified Threats) Bill [pdf] from gov.uk |
Copyright trolls operating in the UK will be doing so a little less confidently this morning after being slammed in the House of Lords yesterday. Lord Lucas named and shamed several companies involved in the practice, describing them as scammers and
extortionists while urging the government to take action. The Intellectual Property (Unjustified Threats) Bill was introduced in the House of Lords during May 2016. Among other things, the draft legislation aims to protect companies and
individuals from threats of expensive IP litigation where no infringement has taken place. While aimed largely at patents, trademarks and other design rights, during a Lords Grand Committee hearing yesterday the hot topic of unfounded threats
against Internet users was thrust onto the agenda. Lord Lucas , who previously tackled the infamous ACS:Law, was again at the forefront. He said: The world is full of people who like to play a junior game of what this
bill addresses. A few years ago I had a small role in the demise of ACS Solicitors which were thankfully sacked by the law society They were shaking down Internet users for allegedly infringing copyright on pornography and other
low grade media. Their evidence was extremely suspect and was never tested in court. ACS made its money from their threats and never took anyone to court, though it used the courts to target its victims via Norwich Pharmacal Orders .
Some careless person has dropped blood onto the ashes of ACS and the same scam is alive again. The same thin evidence. They have an IP address, they have not revealed how they get that IP address. But, given that IP address, they go
through the same Norwich Pharmacal [ISP disclosure] procedure. This time, to remove the vulnerability that ACS found, the solicitor involved, Wagner and Co , withdraws after obtaining the Norwich Pharmacal Order, so they're not
involved in the threat processes which are undertaken by shell companies. There doesn't seem to be any redress for people threatened or for ISPs who are asked to comply with Norwich Pharmacal orders. If anybody comes across the
names of Hatton and Berkeley , RangerBay, GoldenEye International , Mircom International and TCYK...I really urge them to put [their correspondence] in the bin. The current scammers aren't pursuing anyone [in court] they're just after threats, and
extortion, and shaking people down. I applaud our government for helping businesses avoid unjustified threats but I would really like to know what they intend to do to help the granny [ accused by TCYK recently ] who is being
threatened by their smaller, nastier cousins with allegations that she has been downloading illegally.
|
|
|
|
|
| 17th June 2016
|
|
|
Lenovo computers configured, at least in Mexico, to make it impossible for owners to run Linux instead of Windows See
article from advox.globalvoices.org |
|
|
|
|
| 15th June 2016
|
|
|
Notorious porn copyright troll committed fraud on courts according to the 9th Circuit appeal court See
article from blogs.reuters.com |
|
|
|
|
| 31st May 2016
|
|
|
There's another nasty trade deal, CETA, that's already signed. By Nick Dearden See article from
theguardian.com |
|
|
|
|
| 24th May 2016
|
|
|
The Guardian follows a case where a building company gets nasty over a bad review on Mumsnet See article from
theguardian.com |
|
|
|
|
| 19th May 2016
|
|
|
Shoddy copyright group tries to remove BBC iPlayer from Google See article from torrentfreak.com
|
|
Sony reprehensibly charge for fair use of their content
|
|
|
| 18th
May 2016
|
|
| See article from eff.org |
The EFF writes: We're pleased to report that Sony Music backtracked on its accusation of copyright infringement against the Hudson Valley Bluegrass Association, and HVBA ' s educational video remains freely available to the public.
But the music label's response leads us to think that Sony ' s misuse of copyright and of YouTube's automated enforcement system will continue. We
wrote last week about how YouTube's system, Content ID, incorrectly flagged HVBA's own
video as infringing. The video, an hour-long lecture on the history of bluegrass music, triggered the Content ID filters because it contained three clips of
bluegrass recordings copyrighted by Sony, each around 30 seconds and surrounded by a discussion of the music and its historical relevance . That's an obvious fair use under copyright law, one that any human reviewer with minimal training would recognize.
A fair use doesn't require permission from the copyright holder, or a fee. It's the sort of use that's free to all. But when HVBA's webmaster wrote to Sony Music and asked them to withdraw the Content ID match, the company
responded by asking for a $500 "administrative fee" and detailed information about HVBA's use of the song clips. Fortunately, HVBA's webmaster knew her rights, and after some prodding--and a
post by EFF--Sony Music agreed to withdraw its claim. We're glad Sony stopped
trying to block or monetize HVBA's video. But the company's response is troubling all the same. A Sony executive emailed HVBA to say that the company "has decided to withdraw its objection to the use of its two sound recordings" and "will
waive Sony Music's administrat[ive] fee." That sounds like Sony was simply acting out of courtesy, when in fact the company had no right to demand a fee, by any name, for an obvious fair use. Other YouTube users with less knowledge of the law may
have been convinced to pay Sony $500 or more, and provide detailed information, for uses of the music that the law makes free to all. As Congress and the Copyright Office review the law and examine the effectiveness of automated
systems like Content ID, they should keep in mind that automated flagging or filtering combined with misleading statements about a company's legal rights can lead to abuse. That's another reason why YouTube-style automatic filtering should never be
mandated by law, and why we need real penalties for false takedowns. |
|
|
|
|
| 17th May 2016
|
|
|
UK Government threatens Google and Facebook over prated content being readily located using internet search facilities See
article from torrentfreak.com |
|
Internet authorities who govern the html language used to write websites are adding controls that will enable large media companies to snuff out new ideas such as those that went on to become iTunes and NetFlix
|
|
|
| 10th May 2016
|
|
| See article from eff.org By Cory Doctorow
|
I remember the launch of iTunes in 2001. Hurrying home from the MacWorld conference in San Francisco, downloading the app, making a stack of CDs next to my Powerbook, ripping them as fast as my machine would go. Rip, Mix, Burn, baby!
The other thing I remember is how the media industry viewed iTunes: they hated it. They hated people using iTunes to rip CDs , they
hated mixing and burning. The only reason they let the iPod/iTunes ecosystem live was because when they
sued the company that made the first MP3 players, they lost . The record companies thought that anything that let
listeners do more with their music had to be illegal. After all, they had big plans for the future of music and those plans hinged on being able to control how you and I used our music. They'd made big money selling cassettes to LP owners, and CDs to
cassette owners, and they viewed selling digital versions of those same songs to us as their inalienable right. If we could rip our own CDs, how would they sell us that music again? Luckily for us and for Apple, a company's
preferences don't have the force of law. The record companies could gripe, but they couldn't stop iTunes. Not until now, anyway. Apple is a member of the World Wide Web Consortium (W3C), a body currently
working to make a standard for restricting Web users' options while they view copyrighted works. This standard, Encrypted Media Extensions (EME), allows media companies to restrict the use of copyrighted works without regard to the limits of copyright
law. Copyright lets you do all kinds of things with the works you lawfully access: record them to experience later, move them to a different device, pause them so you can get a snack or change a diaper. EME would give giant media
companies a veto over your use of your media--a veto that would have killed iTunes before it ever got started. Worse: EME could let its creators invoke section 1201 of the Digital Millennium Copyright Act (DMCA), which prohibits
you from getting around EME-style restrictions on copyrighted works. According to some U.S. courts, the law applies even if you're circumventing for a purpose allowed under copyright law. Even if you're making iTunes. DMCA 1201 is
so sloppily drafted and far-reaching that it even lets companies legally threaten security researchers who discover serious, dangerous bugs in products if they come forward with embarrassing news. (And if you're not an American:
the US trade representative is working hard to make DMCA-style laws a condition of trading with the USA, spreading them to every corner of the Earth.) The Electronic Frontier Foundation
asked the W3C not to do this . When they went ahead anyway, we
asked them to compromise : at least ask your members to promise not to use the DMCA to attack new companies and researchers doing lawful things.
Make them promise to let the next iTunes get a chance. After all, this is what the W3C did when it came to patents: to participate in the W3C's process, you must agree that people are allowed to implement its standards without worrying about undisclosed
patents you may own. This safeguard has helped enable an enormous turnover in popular browsers over the past decade. Despite
hearing from a diverse coalition of its members who approved of the EFF compromise,
the W3C overruled them , and is letting EME continue without a legal safeguard for the products that don't exist yet, for the companies
that haven't had their iTunes moment yet. It's heartbreaking. Share this message, pass the word. The W3C has a long, proud history of standing up for the open Web, the Web anyone can
make. It should honor its history and continue to protect the open Web and the innovators and researchers who make it great.
|
|
|
|
|
| 4th May 2016
|
|
|
We intuitively recognize that digital media should be more flexible than its analog forebears, not less, and that DRM shouldn't take away rights that copyright was never intended to restrict See
article from eff.org |
|
French parliament surprisingly votes against Hadopi law enabling 3 strikes copyright enforcement
|
|
|
| 3rd May 2016
|
|
| See article from torrentfreak.com |
The French three-strikes anti-piracy law Hadopi is heralded by copyright holders as an effective way to curb piracy. However, in France the legislation has often been criticized and in a surprise move against the will of the Government, the
National Assembly has now voted to dismantle it in a few years. France is seen as the pioneer of so-called three strikes anti-piracy legislation, in which repeated file-sharing offenders face fines of up to 1,500 euros.
Since 2010 the French Hadopi agency has handed out millions of warning notices . A few thousand account holders received more than three notices, of which a few hundred of the worst cases were referred for prosecution. Copyright
holders around the world have cited Hadopi as one of the success stories, hoping to establish similar legislation elsewhere. However, in France the law hasn't been without controversy and in a total surprise the lower house of the French Parliament has
now voted in favor of killing it. Interestingly, the vote late last week went down under quite unusual circumstances. In a nearly empty chamber, the French National Assembly voted to end the Hadopi institution and law in 2022,
Next Inpact reports . What's noteworthy is that only 7 of the 577 Members of Parliament were present at the vote, and the amendment passed with four in favor and three against. The decision goes against the will of the sitting
Government, which failed to have enough members present at the vote. While it's being seen as quite an embarrassment, the amendment still has to pass the senate, which seems unlikely without Government support. The coup, orchestrated by the Green party has caused quite a media stir, not least because French President Francois Hollande called for the end of Hadopi before his election, a position he later retracted.
Maybe another theory as to why the French government may be keen to accidently drop the law. With a new emphasis on terrorism prevention and snooping, it can't really be helpful that large numbers of people adopt encrypted proxies and VPNs
primarily to evade Hadopi copyright enforcement.
|
|
Australian government endorses VPN use as it notes that Australians are generally overcharged for copyrighted and licensed content enforced by geo-blocking
|
|
|
| 30th April 2016
|
|
| See article from torrentfreak.com
|
|
|
Swedish court claims Wikimedia cannot make a database of photos of public art in Sweden
|
|
|
| 9th April 2016
|
|
| See article from thelocal.se
|
Sweden's supreme court has sided with commercial copyright concerns and ruled that the non-profit internet giant Wikimedia breaches Sweden's copyright laws by publishing photos of public artworks. Wikimedia is the group behind the free online
encyclopaedia Wikipedia. It has created a vast online knowledge repository by allowing members of the public to group-edit entries and upload pictures to its pages for educational purposes. The disgraceful judgement is a victory for the Visual
Copyright Society in Sweden (Bildupphovsrätt i Sverige - BUS), which sued Wikimedia at Stockholm District Court for publishing photos of Swedish public sculptures and other public artworks without first getting permission from the artists. In its judgement the supreme court affirmed that Swedish copyright law does permit members of the public to take pictures of public artworks. But, the court said:
It is different when it's a database where artworks are made available to the public to an unlimited extent without copyright-holders receiving any remuneration. A database of this kind can be deemed to have a
commercial value that is not inconsiderable.
Wikimedia's Swedish operations manager Anna Troberg told The Local: We are naturally very disappointed. We view this as an anachronistic and restrictive
interpretation of copyright laws. It also runs counter to recommendations from the European Court of Human Rights.
Troberg said the group would now consult its lawyer and its parent foundation in the United States before deciding what
action to take. |
|
|