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The price of censorship...

BBFC raises its prices on 1st January 2020


Link Here29th November 2019
88 Films has tweeted an image of a BBFC letter detailing a price rise of 1.4% on 1st January 2020.

The BBFC provides examples of the cost of classifying an average length cinema film (104m) will now be £1074 + VAT.

The BBFC provide a rather meaningless average home video submission off 77m (half way between a TV episode and a feature film, but neither representative of one or the other). The price for that will be £752 + VAT. Which probably means closed to a grand for a 90m film.

Now of course one may say that such commercial information is not really relevant to film censorship, but it is. The higher the cost of censorship the less likely it is that small market film will get a commercial release at all.

 

 

H for horrific...

The BBFC reminisces about its history of remarkably few changes to its categories


Link Here28th November 2019
The BBFC (@BBFC) have tweeted:

A little piece of BBFC history for you, to mark #throwbackthursday: There used to be an H classification, which stood for Horrific.

In fact there is an interesting page on their website that outlines this history of BBFC film certificates. There were hardly any changes from when they started in 1913 until 1970.

1913 Universal U and an advisory A

The A was for more adult oriented films but as all films were highly censored at the time there was no need to be any more restrictive than that.

1932 Universal U , advisory A and an advisory H

The advisory H for Horrific was introduced to indicate horror themes. Films were still highly censored and there was still no need to be restrictive about the ratings.

1951 Universal U , Advisory A and a restricted X (16+)

For the first time an age restricted 16+ X category was introduced. This replaced the H certificate.

And that's it until 1970. Note that local authorities held sway over the BBFC and had their own rules, eg with London requiring children to be accompanied when seeing an A rated film.

 

 

Updated: Terminator: Dark Fate...

15 rated for UK cinema release and MPAA R rated in the US


Link Here31st October 2019
Terminator: Dark Fate is a 2019 China / USA action Sci-Fi adventure by Tim Miller.
Starring Arnold Schwarzenegger, Mackenzie Davis and Edward Furlong. BBFC link IMDb

More than two decades have passed since Sarah Connor prevented Judgment Day, changed the future, and re-wrote the fate of the human race. Dani Ramos (Natalia Reyes) is living a simple life in Mexico City with her brother (Diego Boneta) and father when a highly advanced and deadly new Terminator - a Rev-9 (Gabriel Luna) - travels back through time to hunt and kill her. Dani's survival depends on her joining forces with two warriors: Grace (Mackenzie Davis), an enhanced super-soldier from the future, and a battle-hardened Sarah Connor (Linda Hamilton). As the Rev-9 ruthlessly destroys everything and everyone in its path on the hunt for Dani, the three are led to a T-800 (Arnold Schwarzenegger) from Sarah's past that may be their last best hope.

The BBFC has just announced its rating for the cinema release of Terminator: Dark Fate. It was passed 15 uncut for strong violence, bloody images, language.

There has been a little debate as to whether the franchise has returned to more adult oriented fare but 4 other European countries have passed the film with 12 ratings or under. So maybe the 15 rating from the BBFC is an outlier and 12 is the norm.

Update: Censored whilst claiming to be uncensored

16th October 2019. See latest MPAA ratings [pdf] from filmratings.com

The film has just been rated R by the MPA (previously MPAA) for violence throughout, language and brief nudity.

Update: New Zealand's Chief Censor speaks about his 13 rating

31st October 2019. See article from stuff.co.nz

Terminator: Dark Fate, released in New Zealand today, has been given an R13 rating by the Office of Film and Literature Classification, with warnings for strong violence and offensive language.

But in Australia, the film has a rating of MA15+, which means it is legally restricted to viewers aged 15 and older (children under 15 must be accompanied by a parent or adult guardian). The film also has a certificate of 15 in the UK, while in the US it has been rated R, which requires anyone under the age of 17 to be accompanied by an adult.

Chief censor David Shanks said based on the office's research, New Zealand audiences tended to be less concerned about bad language and nudity than other markets, which sometimes resulted in disparities. He said:

In this case, we've given another major film a lower restriction than the Australian authorities. It's not that we're more conservative or more liberal than any of the other authorities, it's just that due to our engagement with young people and the public, we're attuned to and sensitised to slightly different things.

Shanks also pointed out that the R13 classification was unique to New Zealand, with the Australian Classification Board having to choose between M and MA15+.

 

 

BBFC introduces new symbols on Netflix to help a rather fragile sounding generation...

A BBFC tabloid style survey of teens finds that unwanted content leaves 46% feeling anxious and 5% saying it had a negative impact on their mental health


Link Here29th October 2019

Don't call us boring: 'Generation Conscious' want to make better decisions than ever before

The British Board of Film Classification (BBFC) is launching new age rating symbols which, for the first time, are designed for digital streaming platforms - a move which will give young people better and consistent guidance about film and TV content, enabling them to make conscious decisions about what they watch.

New research from the BBFC reveals, given their access to more media, nine in 10 (87%) 12-19 year olds want to make better decisions than ever before. Two thirds (66%) of young people resent the idea of being perceived as 'boring' or 'sensible' - something three quarters (74%) of adults admit to having thought.

Instead, almost all teens (97%) want more credit for being conscious decision makers, making informed and positive choices throughout all aspects of their life. The BBFC's own research showed 95% of teenagers want consistent age ratings that they recognise from the cinema and DVD to apply to content accessed through streaming services.

A majority (56%) of teens are concerned about watching content without knowing what it contains - and say they want clear age ratings to guide them. A third of teens (32%) say they see content they'd rather avoid on a weekly basis, leaving them feeling uncomfortable or anxious (46%), and one in twenty (5%) saying it had a negative impact on their mental health.

The BBFC's new digital classification symbols, launching on Thursday 31 October, will help young people to make conscious decisions when it comes to film and content on video on demand platforms. Netflix has welcomed the new symbols, and will begin rolling them out on the platform starting from Thursday 31 October. This builds on the ongoing partnership between the BBFC and Netflix, which will see the streaming service classify content using BBFC guidelines, with the aim that 100% of content on the platform will carry a BBFC age rating.

David Austin, Chief Executive of the BBFC, said: "It's inspiring to see young people determined to make conscious and thoughtful decisions. We want all young people to be empowered and confident in their film and TV choices. As the landscape of viewing content changes, so do we. We're proud to be launching digital symbols for a digital audience, to help them choose content well."

The move empowers young people to confidently engage with TV and film content in the right way. Half (50%) of young people say having access to online content and the internet helps them have tough conversations or navigate tricky subjects, like mental health and sexuality, when talking to parents.

Jack, 12, from Peterborough said: "It's difficult to choose what to watch online as there is so much choice out there. I like to think about things before I watch them. Sometimes my friends watch stuff I don't think is appropriate or I might find scary or it just isn't for me. I could definitely make better decisions and avoid uncomfortable situations if age ratings were more clearly signposted."

The BBFC is calling for streaming services to clearly label content with age ratings - and has this month launched its first set of VOD User Guidelines , developed in conjunction with video on demand platforms. These user guidelines outline how streaming services can help people by offering clearer, more consistent and comprehensive use of trusted, well understood, BBFC age ratings to support 'Generation Conscious'.

The BBFC commissioned Studio AKA to produce a short animation , showcasing the new age rating symbols, to help families help view what's right for them. The film is currently being played nationwide in cinemas until Sunday 3 November.

 

 

How about a Government Harms Bill?...

The Government reveals that it spent 2.2 million on its failed Age Verification for porn policy and that doesn't include the work from its own civil servants


Link Here25th October 2019
Full story: BBFC Internet Porn Censors...BBFC: Age Verification We Don't Trust

More than £2m of taxpayers' money was spent preparing for the age verification for porn censorship regime before the policy was dropped in early October, the government has revealed.

The bulk of the spending, £2.2m, was paid to the BBFC to do the detailed work on the policy from 2016 onwards. Before then, additional costs were borne by the Department for Digital, Culture, Media and Sport, where civil servants were tasked with developing the proposals as part of their normal work.

Answering a written question fromthe shadow DCMS secretary, Tom Watson, Matt Warman for the government added: Building on that work, we are now establishing how the objectives of part three of the Digital Economy Act can be delivered through our online harms regime.

It is not just government funds that were wasted on the abortive scheme. Multiple private companies had developed systems that they were hoping to provide age verification services.

The bizarre thing was all this money was spent when the government knew that it wouldn't even prevent determined viewers from getting access to porn. It was only was only considered as effective from blocking kids from stumbling on porn.

So all that expense, and all that potential danger for adults stupidly submitting to age verification, and all for what?

Well at least next time round the government may consider that they should put a least a modicum of thought about people's privacy.

It's not ALL about the kids. Surely the government has a duty of care for adults too. We need a Government Harms bill requiring a duty of care for ALL citizens. Now that would be a first!


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