From
Reuters It broke box office records in parts of the Middle East, the heart of Islam, and is now screening in Indonesia, the world's most populous Muslim country.
But to view Mel Gibson's The Passion of The Christ in Malaysia, viewers must be Christian. No Muslims are allowed to see it.
It might spark off some religious disagreement in this
country, Film Censorship Board spokeswoman Kathy Kok said, explaining the board's decision to bar a general release.
Gibson, Hollywood star-cum-producer and devout Catholic, did not even bother to
ask Malaysia, home to 25 million people, for approval to screen his film in local cinemas. He and his distributors assumed the mainly Muslim nation would ban it.
But after an appeal to the prime minister by local churches
keen to see the graphic movie about Christ's crucifixion, the censors have finally cleared it -- but for Christian eyes only.
Just over half of Malaysia's population follows Islam, which forbids flesh-and-blood portrayal of
holy figures and says Jesus, a prophet in the Muslim faith, was neither crucified nor the Son of God. Christians make up about 9% of the population.
Details of how tickets will be sold have yet to be worked out but they will
not be available over the counter and the box-office hit will not be advertised. Instead, churches are likely to become ticket outlets, taking bookings for private screenings at commercial cinemas.
But the censor's decision
to bar non-Christians from seeing the film has drawn fire from at least one Muslim commentator, writing in the New Straits Times, a newspaper that normally reflects government thinking.
Columnist Rose Ismail suggested Islamic
clerics in Malaysia feared The Passion of The Christ could lead some Muslim viewers to convert to Christianity. To her, the viewing restrictions reflected a lack of confidence. The ban implies that Malaysian Muslims' devotion to Islam is
tenuous and shallow; that we are easily seduced by religious beliefs, she wrote.
In neighbouring Indonesia, censors took a different approach, authorising its general release but cutting some violent shots.
Even in parts of the Middle East, Gibson's tribute to the suffering of Christ was aired -- largely thanks to a Jewish outcry over the film that appeared to have encouraged Arab governments to break censorship rules.