Back in the heart of London's West End for its 18th adults-only anniversary, the world renowned horror and fantasy film festival will take place at the Cineworld Leicester Square and The Prince Charles Cinema from Aug 24 - Aug 28 2017, taking over
five screens to present 63 films including 17 World, 20 European and 17 UK Premieres. Fourteen countries are represented spanning five continents, reflecting the current global popularity of the genre.
The opening night attraction is the World Premiere of Universal's criminally entertaining CULT OF CHUCKY, with director Don Mancini and stars Jennifer Tilly and Fiona Dourif in attendance, alongside the Iconic deadly doll of destruction himself.
Two more of the horror genre's most popular and beloved franchises are given their World Premieres: To celebrate a decade of his cursed Victor Crowley creation, writer/director Adam Green is returning to FrightFest with a version of HATCHET never
seen before. Plus, there is a presentation of Julien Maury and Alexandre Bustillo's LEATHERFACE, the stunning prequel to the terror classic THE TEXAS CHAIN SAW MASSACRE
FrightFest unveiled a bright new directorial talent when it screened Tyler McIntyre's PATCHWORK at the Glasgow Film Festival and the closing night film is the European premiere of his amazing TRAGEDY GIRLS, where HEATHERS meets SCREAM in a dream
combo. It stars super-powered heroines Alexandra Shipp and Brianna Hildebrand.
Festival and day pass sales are available now whilst single tickets will go on sale on Sat 29 July from 9am.
Complaints to the BBFC have been outlined in the BBFC Annual Report covering 2016:
The film Deadpool generated the largest amount of public feedback in2016, with 51 complaints.
Some viewers were concerned about the level of violence in the film. The BBFC responded that the violence is strong and frequently bloody, this often occurs during fast-paced action sequences with little focus on detail. There is also a comic
tone to the violence, and the film's fantastical setting further distances it from reality.
The BBFC also received complaints about sex references and strong language in Deadpool. The BBFC responded that though strong sex references do occur throughout the film, most of these are in the form of comic verbal quips or innuendo. Deadpool
contains frequent use of strong language ('fuck', 'motherfucker'). However, there is no upper limit on the number of uses of strong language at 15.The sex references and language are therefore acceptable at the classification.
The BBFC received 30 complaints about Suicide Squad .
Most of the feedback was from children under the age of fifteen, or their parents, who had hoped that the film would achieve a lower classification. The sustained threat and moderate violence in Suicide Squad were too strong to warrant a 12A.
The BBFC received 20 complaints regarding Miss Peregrine's Home for Peculiar Children.
Some members of the public believed the film to be too scary for a 12A classification. Te BBFC responded that scenes of horror in Miss Peregrine's Home for Peculiar Children involve some monster characters known as Hollows which feast on
eyeballs. These scenes are infrequent and the fantasy setting of the film as a whole reduces the intensity of these moments.
Nineteen members of the public wrote to the BBFC regarding the level of violence in Jason Bourne , classified 12A.
Some complaints focussed on the term moderate violence and argued that this did not reflect the level of detail depicted. The BBFC responded that although there are some heavy blows, little is shown in terms of injury detail, with the focus
instead placed on action.
Sausage Party attracted 19 complaints.
Some of the feedback concerned the film's sex references. A scene in Sausage Party shows food products taking part in an orgy, during which various sexual activities are depicted, but in an unrealistic manner. Given the animated nature of the
film and the comic context, this scene is acceptable at 15.
Some members of the public complained about the film's three uses of very strong language ('cunt'). The comic and non aggressive delivery of the very strong language in Sausage Party means that it is acceptable at 15.
Other complaints about Sausage Party focussed on drug use. Drug references in the film are either unrealistic (for example, food products smoking joints) or involve non-existent drugs (for example, bath salts). As such, they are permissible at
15, where drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
Eighteen members of the public wrote to the BBFC about the violence in 10 Cloverfield Lane (12A).
There is a scene where a character is shot; however, this takes place off screen, and no impact or detail is shown. Another scene shows the antagonist being injured by a barrel of acid, his face visibly burnt. However, there is no significant
focus on the injury detail. There are several scenes of moderate threat in the film which create a dark tone that the BBFC recognised as being at the upper end of the 12A level. At 12A,moderate physical and psychological threat is permitted as
long as horror sequences are not too frequent or sustained, and the overall tone is not disturbing.
The BBFC received ten complaints about Batman v Superman: Dawn of Justice regarding threat, violence and the dark tone of the film.
Moments of threat include characters being held at gunpoint, and some nightmarish dream sequences. The BBFC responded that the violence and tone sit within a known fantasy context consistent with both BBFC Classification Guidelines and past
instalments of the Batman series at the 12A classification. There is limited detail of injury in the film and, in the few moments where injury is seen, there is no emphasis on either injuries or blood.
George A (for Andrew) Romero has dies aged 77. He was an American-Canadian filmmaker, writer and editor, best known for his series of gruesome and satirical horror films about an imagined zombie apocalypse, beginning with Night of the Living
Dead (1968), which is often considered a progenitor of the fictional zombie of modern culture. Other films in the series include D awn of the Dead (1978) and Day of the Dead (1985).
Aside from the Dead series, his works include The Crazies (1973), Martin (1978), Creepshow (1982), Monkey Shines (1988) and The Dark Half (1993).
Romero is often noted as an influential pioneer of the horror film genre, and has been called an icon and the Father of the Zombie Film.
India's film censors have ordered that a documentary about the economist and Nobel laureate Amartya Sen be altered to remove words including 'Hindu' 'India' and 'cow', the director has said.
Suman Ghosh said he was told by censor board officials that his one-hour documentary about Sen, a Harvard professor and essayist, could be released only if certain words were bleeped out. Those words reportedly included cow, Hindu India, Hindutva,
a reference to the religious nationalist ideology of India's ruling party, and Gujarat, the home state of the country's prime minister, Narendra Modi .
I was quite shaken, Ghosh said of the Central Board of Film Certification (CBFC) decision, against which he said he would be appealing. I was shocked but I thought, I have to argue.
In the documentary, named after his book of essays The Argumentative Indian, Sen criticises what he sees as the restricted vision of India espoused by Modi's rightwing nationalist party. In one reportedly censored scene, Sen lauds the
value of vigorous argument and debate, in contrast to chastising people for having mistreated a cow or some such thing.
Blood Feast is a 2016 Germany / USA horror remake by Marcel Walz.
Starring Robert Rusler, Caroline Williams and Sophie Monk.
Fuad Ramses and his family have moved from the United States to France, where they run an American diner. Since business is not going too well, Fuad also works night shifts in a museum of ancient Egyptian culture. During these long, lonely nights
he is repeatedly drawn to a statue representing the seductive ancient goddess ISHTAR. He becomes more and more allured by the goddess as she speaks to him in visions.
The films producers have just announced that the film has been cut for am MPAA R rating. Hannover House CEO Eric Parkinson explained:
Some markets are unable to screen an unrated film. The decision to seek the MPAA rating for Blood Feast was tailored after a similar development impacted the release of Saw a few years back. So the film has been very modestly edited to conform to
the film ratings standard that should make it accessible to a larger audience.
Previously the film has been shown, presumably uncut, on the film festival circuit, notably at London's FightFest.
The film will be released to US theatres on July 28th and the censorship publicity has help enable a wide distribution.