The play Stitching , has opened at the Unifaun Theatre in Malta for a two week run. But Stitching is not your average piece of theatre; it's taken 10 years, international coverage, and even a literal EU court case to get this show up and
Ten years ago, in October 2008, local theatre producer Adrian Buckle sent an email to playwright Anthony Nielson, asking for permission to produce his play Stitching in Malta. Nielson duly granted Unifaun the rights to a performance of his play.
Buckle booked a slot at a local theatre, hires the cast and informs the Board for Film and Stage Classification in order expecting to be issued an age-rating certificate for the piece. However, instead of receiving an age certification, Buckle
received a certificate that simply stated the play had been Banned and disallowed, with no explanation or reason provided. Thus begins a ten-year-long battle that finally brings us to this year's production.
However, the team at Unifaun would not stand for this lack of explanation; they chased for an answer, and in January 2009 the police commissioner delivered a letter that detailed the reasons:
Blasphemy against the State Religion
Obscene contempt for the victims of Auschwitz
An encyclopaedic review of dangerous sexual perversions leading to sexual servitude
Abby's eulogy to the child murderers Fred and Rosemary West
Reference to the abduction, sexual assault and murder of children
In conclusion, the play is a sinister tapestry of violence and perversion where the sum of the parts is greater than the whole. The Board feels that in this case the envelope has been pushed beyond the limits of public
The censorship became major news in Malta and it was decided by the politicians at the time that the established censorship system was no longer compatible with EU human rights requirements, notably Article 10 of the Convention for the Protection
of Human Rights:
Freedom of expression constitutes one of the essential foundations of such a society, one of the basic conditions for its progress and for the development of every man [...] it is applicable not only to 'information' or 'ideas' that are
favourably received or regarded as inoffensive or as a matter of indifference, but also to those that offend, shock or disturb the State or any sector of the population.
The country's censorship laws were rewritten without calling on the services of stage censors. Film censorship was also reformed with new rules that are based on the UK's, which is at least significantly more free than before.
Yes, the play is crude. Yes, they swear a lot. Yes, they talk about child murderers. Yes, they use a dildo on stage. Yes, they describe sexual acts very explicitly. Yes, it probably made people very uncomfortable. That is why performances are
given an age certification. That is not reason to censor and an artist.
Three performances have passed so far and the world has not ended. Nobody has walked out of the theatre mid-performance in a fit of rage.
Theatre director Maryam Kazemi and theatre manager Saeed Assadi were detained by Iranian authorities over a video trailer for a production of Shakespeare's A Midsummer Night's Dream on 9 September 2018.
The trailer features men and women dancing together, which is illegal in Iran.
Cultural censorship official Shahram Karami said the issue was with the type of music played and the actors' movements used in the trailer.
Both men were later bailed on surety of about $23,000 each.
Kanata, an upcoming French play exploring Canadian Indigenous history, was cancelled on 26 July after some of the show's producers pulled out of the project following 'aggressive controversy'.
There were no Indigenous actors cast in the Robert Lepage-directed production about fictional relationships between Indigenous Canadians and Europeans spanning 200 years.
It was set to debut at the Théâtre du Soleil in Paris this December.
The production created in a little controversy in France due to politically correct concerns about the depiction of Indigenous peoples. The controversy led to North American co-producers pulling out.
Lepage's production company Ex Machina then said in a statement:
Without their financial support, we are unable to finish creating Kanata with Théâtre du Soleil. Therefore, we are putting an end to the project.
Théâtre du Soleil described the "attempted intimidation of theatre artists" in its accompanying statement:
An intimidation unimaginable in a democratic country, that is carried out largely on social media networks in the name of an ideology that the Théâtre du Soleil does not wish to qualify here but to which it will respond with its own tools.